skadanny wrote:
Consider me a ska talent scout hot on the trail.
Hunting for skilled graphic designers and photographers, gotcha. 'cause there are tons of clever and talented people out there; it pays to specify the talent and cleverness you're looking for.
Quote:
Interesting you call SkaJenny's approach "punky", since to me its very obviously a ska tone and not a punk one.
Let's see.
1.Picture of a girl shouting, "It's 4:00 on a Sunday, wake the f*ck up and listen to our show, b!tches!"
2.

3. Girl with heavy eyeliner, ball-bearing necklace and camo tank top throwing the \m/
I stand by my assertion.
Show most of her photos to a guy on the street, and he'll think, "ooh, hot punk chick." (or, in the case of her main profile photo, "ooh, hot '50s chick") If you're lucky, he might know who the Toasters are.

There
are ska/mod elements in her profile, but only if you know what you're looking for. When choosing iconography, what
you associate with the image is not as important as
what others think when they see it.
A lot of the general public don't even associate suits and trilby hats or checkers with ska, and those symbols border on cliché. For the Syracuse Ska icon, I imagine plenty of people wonder, "why did they dress Bert and Ernie up like the Blues Brothers?"
Which brings up an important question. Ska's identity and iconography is entangled with punk. How can we assert ska's positive, friendly attitude over the aggressive and sometimes violent tendencies of punk? Can it be done without shunning or snubbing punk? Ideally, we'd like people to think of Ska as Punk's friendlier, mellower cousin (and Reggae's wackier, manic brother.

)