Its an old cliche about the 3 most important things about going into business -- location, location, location.
And whether anyone likes it or not, putting on shows is engaging in a form of business. You rent a place, pay someone to do sound, agree to pay bands. But WHERE you do the shows is very, very critical.
I understand that the vast majority of those going to shows don't understand the problem with finding and keeping good venues. But it really makes a HUGE difference in doing good shows. The original Ska Is Dead tour stopped in Syracuse because Salt City was willing to host it under reasonable conditions. When they closed, along with Planet 505, that greatly limited our options, which is why Ska Is Dead 2 didn't stop here. And if I can't work things out with Tundra, SID3 probably won't happen here either.
Yes, I've looked into using The Furnace, but that venue has changed. There is no longer a PA there. 2 people are doing sound there now. One does okay sound for smaller shows and the other is the same person that does sound at Tundra that wants an arm & leg for doing a national tour. If I could think of a reasonable alternative, I'd pursue it, trust me.
And BTW, this is a national problem. All ages venues are getting harder and harder to come by, because they rarely make money and often attract problems. And making money doing live music is a very tough business, even under ideal circumstances. I'm always trying to identify new places for hosting shows, but its a long process of finding suitable space, earning trust from the owner/manager to actually let us use it and then hoping to make it work financially for both sides so we can keep at it for a period of time. The irony is that Ithaca and Rochester both have a more stable venue situation than Syracuse right now, but they both lack the enthusiastic local bands we have in Syracuse.
Like I said, I'm always open to new suggestions. But it helps a lot if the suggestions are based on something a little more than some offhand idea you had. Like talking to an owner/manager to see if there is any interest at all. The vast majority of places have NO interest whatsoever, because they see a lot of hassle and very little profit in it. In fact, live music can sometimes drive profits DOWN if the kids drive out the regulars and don't buy enough stuff to replace the money lost.
As Johanna said elsewhere, be glad to even have venues to bitch about.
And to respond to Ras Adam elsewhere, I'll talk to Klub Polski and some of the other places you suggested again, but the lack of enthusiasm when I've talked to them before was quite noticeable. They get burned really badly once and decide making $200-300 for a night just isn't worth the aggravation and/or property damage. I was told very emphatically that I'd have to hire a bunch of off-duty cops, which makes the whole thing too expensive. Plus, they want to make money off beer, so they really hate all ages shows. Its a vicious, vicious cycle.
Community centers like the Westcott are few and far between and typically very inflexible with scheduling. I was all excited about using the Northeast Community Center on Hawley Ave after AXCO had a good event there, but now the Syracuse City School District has reclaimed the space (it was always theirs in the first place) and they don't want these kinds of events there. Not that the location or cafeteria space were exactly ideal anyway.
The vast majority of all ages shows are either at youth centers, coffeehouses or non-profit facilities. The few large, profitable all ages spaces like
Chain Reaction in Anaheim, California work off volume. They do really big touring bands and live off a cut of the door and ancillary sales. But that really only works because they're in a HUGE market (2 million in Orange County alone) and really have little competition. I seriously doubt a model would work like that anywhere in Upstate NY, sorry. In fact, I'm convinced that model won't even work in NYC. It needs a huge blob of surrounding suburbs to work.
Sorry if this comes across as an endless rant. I'm trying to find alternatives. I'm not giving up. But, it'd help A LOT if some of you were probing harder to help me find new spaces to use. And again, please don't simply babble obvious suggestions. Actually stop and talk to someone. They're usually quite flattered anyone would ask and they'll usually gently explain why they won't consider it. And no offense, but most of you have far more time for those endless rejections than I do. And having a sincere kid ask is often more disarming than me asking.
Help me find new venues, okay?
Thanks in advance!!!
